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Woody Herman

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Wikimp3 information about the music of Woody Herman. On our website we have 70 albums and 70 collections of artist Woody Herman. You can find useful information and download songs of this artist. We also know that Woody Herman represents Jazz genres.

Biography

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A fine swing clarinetist, an altoist whose sound was influenced by Johnny Hodges, a good soprano saxophonist, and a spirited blues vocalist, Woody Herman's greatest significance to jazz was as the leader of a long line of big bands. He always encouraged young talent and, more than practically any bandleader from the swing era, kept his repertoire quite modern. Although Herman was always stuck performing a few of his older hits (he played "Four Brothers" and "Early Autumn" nightly for nearly 40 years), he much preferred to play and create new music.

Woody Herman began performing as a child, singing in vaudeville. He started playing saxophone when he was 11, and four years later he was a professional musician. He picked up early experience playing with the big bands of Tom Gerun, Harry Sosnik, and Gus Arnheim, and then in 1934, he joined the Isham Jones orchestra. He recorded often with Jones, and when the veteran bandleader decided to break up his orchestra in 1936, Herman formed one of his own out of the remaining nucleus. The great majority of the early Herman recordings feature the bandleader as a ballad vocalist, but it was the instrumentals that caught on, leading to his group being known as "the Band That Plays the Blues." Woody Herman's theme "At the Woodchopper's Ball" became his first hit (1939). Herman's early group was actually a minor outfit with a Dixieland feel to many of the looser pieces and fine vocals contributed by Mary Ann McCall, in addition to Herman. They recorded very frequently for Decca, and for a period had the female trumpeter/singer Billie Rogers as one of its main attractions.

By 1943, the Woody Herman Orchestra was beginning to take its first steps into becoming the Herd (later renamed the First Herd). Herman had recorded an advanced Dizzy Gillespie arrangement ("Down Under") the year before, and during 1943, Herman's band became influenced by Duke Ellington; in fact, Johnny Hodges and Ben Webster made guest appearances on some recordings. It was a gradual process, but by the end of 1944, Woody Herman had what was essentially a brand new orchestra. It was a wild, good-time band with screaming ensembles (propelled by first trumpeter Pete Candoli), major soloists in trombonist Bill Harris and tenorman Flip Phillips, and a rhythm section pushed by bassist/cheerleader Chubby Jackson and drummer Dave Tough. In 1945 (with new trumpeters in Sonny Berman and Conte Candoli), the First Herd was considered the most exciting new big band in jazz. Several of the arrangements of Ralph Burns and Neal Hefti are considered classics, and such Herman favorites entered the book as "Apple Honey," "Caldonia," "Northwest Passage," "Bijou" (Harris' memorable if eccentric feature), and the nutty "Your Father's Mustache." Even Igor Stravinsky was impressed, and he wrote "Ebony Concerto" for the orchestra to perform in 1946. Unfortunately, family troubles caused Woody Herman to break up the big band at the height of its success in late 1946; it was the only one of his orchestras to really make much money. Herman recorded a bit in the interim, and then, by mid-1947, had a new orchestra, the Second Herd, which was also soon known as the Four Brothers band. With the three cool-toned tenors of Stan Getz, Zoot Sims, and Herbie Steward (who a year later was replaced by Al Cohn) and baritonist Serge Chaloff forming the nucleus, this orchestra had a different sound than its more extroverted predecessor, but it could also generate excitement of its own. Trumpeter/arranger Shorty Rogers and eventually Bill Harris returned from the earlier outfit, and with Mary Ann McCall back as a vocalist, the group had a great deal of potential. But, despite such popular numbers as Jimmy Giuffre's "Four Brothers," "The Goof and I," and "Early Autumn" (the latter ballad made Getz into a star), the band struggled financially. Before its collapse in 1949, such other musicians as Gene Ammons, Lou Levy, Oscar Pettiford, Terry Gibbs, and Shelly Manne made important contributions.

Next up for Woody Herman was the Third Herd, which was similar to the Second except that it generally played at danceable tempos and was a bit more conservative. Herman kept that band together during much of 1950-1956, even having his own Mars label for a period; Conte Candoli, Al Cohn, Dave McKenna, Phil Urso, Don Fagerquist, Carl Fontana, Dick Hafer, Bill Perkins, Nat Pierce, Dick Collins, and Richie Kamuca were among the many sidemen. After some short-lived small groups (including a sextet with Nat Adderley and Charlie Byrd), Herman's New Thundering Herd was a hit at the 1959 Monterey Jazz Festival. He was able to lead a big band successfully throughout the 1960s, featuring such soloists as high-note trumpeter Bill Chase, trombonist Phil Wilson, the reliable Nat Pierce, and the exciting tenor of Sal Nistico. Always open to newer styles, Woody Herman's bop-ish unit gradually became more rock-oriented as he utilized his young sidemen's arrangements, often of current pop tunes (starting in 1968 with an album titled Light My Fire). Not all of his albums from this era worked, but one always admired Herman's open-minded attitude. As one of only four surviving jazz-oriented bandleaders from the swing era (along with Duke Ellington, Count Basie, and Stan Kenton) who was still touring the world with a big band, Herman welcomed such new talent in the 1970s as Greg Herbert, Andy Laverne, Joe Beck, Alan Broadbent, and Frank Tiberi. He also recorded with Chick Corea, had a reunion with Flip Phillips, and celebrated his 40th anniversary as a leader with a notable 1976 Carnegie Hall concert.

Woody Herman returned to emphasizing straight-ahead jazz by the late '70s. By then, he was being hounded by the IRS due to an incompetent manager from the 1960s not paying thousands of dollars of taxes out of the sidemen's salaries. Herman, who might very well have taken it easy, was forced to keep on touring and working constantly into his old age. He managed to put on a cheerful face to the public, celebrating his 50th anniversary as a bandleader in 1986. However, his health was starting to fail, and he gradually delegated most of his duties to Frank Tiberi before his death in 1987. Tiberi continued to lead a Woody Herman Orchestra on a part-time basis but it never had the opportunity to record. Fortunately, Herman was well documented throughout all phases of his career, and his major contributions are still greatly appreciated.

Title: Blues in Advance

Artist: Woody Herman

Genre: Jazz

Title: Four Brothers

Artist: Woody Herman

Genre: Jazz

Title: Rarest

Artist: Woody Herman

Genre: Jazz

Title: Woody Herman

Artist: Woody Herman

Genre: Jazz, Bop

Title: Caledonia

Artist: Woody Herman

Genre: Jazz

Title: Four Or Five Times

Artist: Woody Herman

Genre: Jazz

Title: Opus De Funk

Artist: Woody Herman

Genre: Jazz

Title: The First Herd

Artist: Woody Herman

Genre: Jazz

Title: Feelin' So Blue

Artist: Woody Herman

Genre: Jazz

Title: Carioca

Artist: Woody Herman

Genre: Jazz

Title: Afterglow

Artist: Woody Herman

Genre: Jazz

Title: Superman With a Horn

Artist: Woody Herman

Genre: Jazz

Title: Compact Jazz

Artist: Woody Herman

Genre: Jazz

Title: The Herd Rides Again

Artist: Woody Herman

Genre: Jazz

Title: The Essential

Artist: Woody Herman

Genre: Jazz

Title: Best of Woody Herman

Artist: Woody Herman

Genre: Jazz

Title: Laura

Artist: Woody Herman, Erroll Garner

Genre: Jazz, Bop

Title: The Very Best Of

Artist: Woody Herman

Genre: Jazz

Title: 1963

Artist: Woody Herman

Genre: Jazz

Title: Giant Steps

Artist: Woody Herman

Genre: Jazz

Title: The Everest Years

Artist: Woody Herman

Genre: Jazz

Collections

Title: Christmas Goldtimer

Genre:

Title: Jazzin' the Pop

Genre: Jazz

Title: 100 Swing for Dance

Genre: Jazz

Title: Take Five

Genre: Jazz

Title: 101 Big Bands Swing

Genre: Jazz

Title: 20 Jazz Hits

Genre: Jazz

Title: Super Funky Jazz

Genre: Jazz

Title: 20 Swing Hits

Genre: Jazz

Title: Best Of The Vocal

Genre: Jazz

Title: Perfect Swing

Genre: Jazz

Title: Jazz Feeling Blue

Genre: Jazz

Title: Hits Of '39

Genre: Jazz

Featuring albums

Title: Dixieland & Swing

Artist: Various Artists

Genre: Jazz

Title: Cool Be Bop

Artist: Stan Getz

Genre: Jazz, Bop

Title: Summer Sequence

Artist: Stan Getz

Genre: Jazz

Title: A Weaver of Dreams

Artist: Billy Eckstine

Genre: Pop

Title: Sentimental Mood

Artist: Supersongs

Genre: Jazz, Pop

Title: The Early Hits

Artist: Isham Jones

Genre: Jazz

Title: Pure Jazz

Artist: Various Artists

Genre: Jazz

Title: Smooth Jazz

Artist: Various Artists

Genre: Jazz

Title: Smooth Jazz

Artist: Various Artists

Genre: Jazz

Title: Jazz Cocktails!

Artist: Various Artists

Genre: Jazz

Title: Prelude to a Kiss

Artist: Various Artists

Genre: Jazz

Title: Big Band Bash

Artist: Various Artists

Genre: Jazz

Title: Big Band Sampler

Artist: Various

Genre: Jazz

Title: Sandlot Baseball

Artist: Various Artists

Genre: Pop

Title: Navidades Blancas

Artist: Various Artists

Genre: Jazz

Title: Jazz Singers

Artist: Various Artists

Genre: Jazz

Title: Thinking of You

Artist: Various Artists

Genre: Jazz

Genres