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The Ladies at Joe Gibbs


Download links and information about The Ladies at Joe Gibbs. This album was released in 2013 and it belongs to Reggae genres. It contains 15 tracks with total duration of 01:00:39 minutes.

Release date: 2013
Genre: Reggae
Tracks: 15
Duration: 01:00:39
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No. Title Length
1. Ina Jah Children (Dhaima) 4:11
2. My Man (feat. Trinity) (Marcia Aitken) 5:50
3. Gonna Get Along Without You Now (Christine Oliver) 2:11
4. Holiday Style (Jem, Dean) 3:30
5. Let Me Go Boy (feat. Ranking Joe) (Marcia Aitken) 5:12
6. I Was in Love (Beverley Bailey) 4:10
7. Downtown Thing (Althea) 2:49
8. Danger in Your Eyes (Marcia Aitken) 2:54
9. Someone Loves You Honey (June C. Hodge) 4:02
10. I'm Still in Love With You (Marcia Aitken) 3:43
11. Uptown Top Ranking (Extended Edited Version) (Althea & Donna) 5:29
12. Emotion (feat. Ruddy Thomas) [Extended Edited Version] (Marcia Aitken) 4:54
13. I Can't Stand the Rain (Extended Edited Version) (Hortense Ellis) 5:38
14. The Gardener (Julie Ann) 2:18
15. Sweet Sensation (Carol Gonzales) 3:48



During the mid- and late ‘70s, producer Joe Gibbs and engineer Errol Thompson rose to a position of dominance in the Jamaican recording industry with their simple, hard-hitting productions and talented stable of musicians and singers. Though male performers like Dennis Brown, Prince Far I, and Cornell Campbell dominated their release schedule, some of Gibbs and Thompson’s most memorable production work was done with female singers like Marcia Aitken, Hortense Ellis, and Beverly Bailey. Biggest of all these, of course, was Althea & Donna’s “Uptown Top Ranking,” an infectious anthem that remains one of Gibbs’ most memorable releases. Marcia Aitken’s rueful “I’m Still in Love” gives listeners a chance to hear the original cut on the same rhythm that sent “Uptown Top Ranking” up the charts; it provides a gentler, more soulful counterpoint to Althea & Donna’s flirty boastfulness. Many cuts will be familiar to anyone with a passing acquaintance with this era of Jamaican music, but among the best tracks here are more obscure numbers like Carol Gonzales’ disco-inflected “Sweet Sensation” and the heavy roots of Dhaima’s “Ina Jah Children.”