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Rise Up!


Download links and information about Rise Up! by The Klezmatics. This album was released in 2003 and it belongs to World Music, Songwriter/Lyricist genres. It contains 15 tracks with total duration of 01:07:43 minutes.

Artist: The Klezmatics
Release date: 2003
Genre: World Music, Songwriter/Lyricist
Tracks: 15
Duration: 01:07:43
Buy on iTunes $9.99
Buy on iTunes $9.99


No. Title Length
1. Klezmorimlekh Mayne Libinke (Beloved Klezmorim, My Dear Ones) 2:03
2. Kats Un Moyz (Cat and Mouse) 5:15
3. Loshn-Koydesh (Holy Tongues) 5:41
4. Tepel 5:04
5. I Ain't Affraid 5:10
6. Di Gayster (Ghosts) 5:22
7. Yo Riboyn Olam (God, Master of This Universe) 6:01
8. Bulgars, No. 2 (Tantsn Un Shpringen) 4:50
9. Barikadn (Barricades) 4:22
10. Davenen (Prayer) 3:59
11. St. John's Nign 3:42
12. Hevl Iz Havolim (Vanity Is Vanities) 5:11
13. Makht Oyf (Open Up) 3:11
14. Perets-Tants 3:32
15. I Ain't Affraid (English Edit) 4:20



One thing about the Klezmatics, they're not afraid of a little controversy with their klezmer music. Here they stir the ashes a couple of times, with an English-Yiddish cover of Holly Near's "I Ain't Afraid" that comes twice on the disc, and points out the pitfalls of what people do in the name of religion, and also in "Loshn-Koydesh," an unusual tale of a Hebrew lesson with an appropriately seductive melody to match the words. This time around the emphasis is most definitely on songs, rather than instrumentals, and for the most part they keep their fire quite restrained, rarely letting the instrumental work fly into the stratosphere as they have in the past. Where they do, on "Katz Un Moyz," for example, the results are spectacular, a reminder of how good players like Steven Greenman and Matt Darriau truly are. But Lorin Sklamberg has rarely sounded better singing with the band, as he proves on "Makht Oyf." That said, the annoying chorus of children on "Tepel" overdoes what could be a pleasantly kitschy piece, and highlights the heavy production used on the record, generally to its benefit, but sometimes too heavy-handed. They might be more serious and focused this time around, abandoning the free joy of the past, but they're still damn good.