Create account Log in

The Mother, the Mechanic, and the Path


Download links and information about The Mother, the Mechanic, and the Path by The Early November. This album was released in 2006 and it belongs to Rock, Indie Rock, Alternative genres. It contains 46 tracks with total duration of 02:11:44 minutes.

Artist: The Early November
Release date: 2006
Genre: Rock, Indie Rock, Alternative
Tracks: 46
Duration: 02:11:44
Buy on iTunes $11.99
Buy on Amazon $11.49
Buy on Music Bazaar €1.15
Buy on Music Bazaar €1.40
Buy on Music Bazaar €1.26


No. Title Length
1. Money In His Hand 3:39
2. The Rest of My Life 2:37
3. Decoration 3:17
4. No Good At Saying Sorry (One More Chance) 3:41
5. This Wasn't In Our Plan 4:02
6. The One That You Hated 3:49
7. Long Talks 3:57
8. Outside 4:03
9. Make a Decision 3:47
10. The Car In 20 3:42
11. Figure It Out 4:40
12. My Lack of Skill 3:27
13. A Little More Time 3:20
14. Little Black Heart 3:55
15. Hair 3:01
16. Driving South 3:17
17. Scared to Lose 3:11
18. From Here to L.A. 3:13
19. Is It My Fault 3:58
20. I Don't Know How to Say This 3:07
21. The Truth Is 4:34
22. 1000 Times a Day 5:39
23. Intro 2:15
24. We Grew Up the Same 4:25
25. Runaway 3:41
26. Session 01 2:36
27. This Is Love 1:15
28. Session 02 0:39
29. We're Finding Something Out 1:30
30. Session 03 1:11
31. Decoration 1:29
32. Session 04 1:15
33. Uncle 0:43
34. Session 05 1:40
35. Never Coming Back 3:02
36. Guess What 1:09
37. Session 06 0:20
38. You Don't Know What It's Like 1:34
39. Session 07 1:56
40. Look At Me 1:57
41. Session 08 3:02
42. Session 08 Pt. II 2:18
43. Runaway II 3:42
44. Session 09 0:53
45. I Think This Is Love 1:05
46. A Bigger Meaning 6:11



With the ambitious triple-disc endeavor of The Mother, the Mechanic and the Path, the Early November have either made or broken their career. Forget that the band almost broke up multiple times before writing even began, or that various breakdowns ensued during recording; the members of Early November have thrown themselves completely into a project that the opportunity of attempting really only comes around once. Lucky for them, though, what results is not only an impressive display of their songwriting skills, but a rather enjoyable listen made only more satisfying with each additional spin. A concept record envisioned by frontman Ace Enders, the music is thematically based on the strained relationship between a boy and his overbearing father. As the music unfolds, the son grows up on his own terms, eventually leaving home around eighteen. He has his own child, and though he swears to be a much different parent than his own, soon falls into the same trappings of parenthood he vowed to avoid. With a storyline as such, this is not an album that comes together in one listen; it's going to take some time to fully grasp where the band is coming from lyrically. The music, though, is much easier. "The Mechanic" is the more straightforward rock disc, akin to the bands' previous work. Early November have really grown into themselves — Enders has never sounded better vocally — and their songwriting is sharp and engaging. Songs effortlessly shift from full-on blasts of dynamic emo-rock with soaring choruses to introspective and lush indie ruminations. If this disc had been released alone, fans wouldn't have been cheated. "The Mother" is the more stripped-down record, overall boasting gentler sonics and highlighting the more passionate and reflective side of the band, who further embrace their pop sensibilities as they utilize basic singer/songwriter songs driven by acoustic guitar, piano, or gentle drumming ("Little Black Heart," "From Here to LA"), while not forgetting to turn up the volume when necessary (the blues rock-tinged "Scared to Lose"). A straightforward endeavor, "The Mother" is the yin to "The Mechanic"'s yang. Coming out of left field then, is the final extravagant story disc, "The Path" which, as its title may suggest, ties the two other discs together. Not quite a musical or rock opera (but close), the album is character-driven and relies on dialogue between a son and his therapist. Once you get past the creepy voice of the son opening things up, the record joltingly and theatrically maneuvers along, bumping into most every genre along the way as intermittent dialogue more explicitly spells out the story. Helpful plot-wise, but it's admittedly a real weird listen not made any better by that disturbing voice; though there are definitely great moments along the way, it's not a record one will most likely listen to repeatedly. Together, the three discs make for one grandiose journey into the world of Early November. Is it Tommy? No. Is it indulgent? Absolutely. Is it all a bit excessive? Maybe. But the first two discs alone are worth the money (Early November are taking royalty cuts to keep the price at the single-album level), so if the desire presents itself to take on all three multiple times to uncover the hidden meaning, well just consider that a bonus.