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Aural & Hearty


Download links and information about Aural & Hearty by Mocean Worker. This album was released in 2000 and it belongs to Breakbeat , Electronica, Dancefloor, Dance Pop genres. It contains 12 tracks with total duration of 49:28 minutes.

Artist: Mocean Worker
Release date: 2000
Genre: Breakbeat , Electronica, Dancefloor, Dance Pop
Tracks: 12
Duration: 49:28
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No. Title Length
1. Lighten Up Francis 0:28
2. Hey Baby 3:46
3. Air Suspension (featuring Bono) 5:41
4. Tres Tres Chic 3:43
5. Intothinair 6:15
6. Thick Interlude 3:30
7. Cha Cha Cha 3:56
8. Velvet Black Sky 3:48
9. Astroglide 4:29
10. Waiting for Verdeaux 5:44
11. Step 4:16
12. Lighten Up Again 3:52



After proving himself one of the more adept drum'n'bass producers on his first two sets, Adam Dorn branched out his Mocean Worker project considerably for his third LP, Aural & Hearty. The results aren't completely disastrous — Dorn's production talents are as tight as usual — but the parade of genre workouts on this album makes it all a bit tiring (though it must've been a fun one to record). After a short intro, Aural & Hearty begins with a beyond played-out big beat redux named "Hey Baby" (guess what the predominant vocal sample turns out to be), and the track's only partially redeemed by Dorn's production finesse and the guest scratching of Roc Raida (from the X-Ecutioners). The song with the highest expectations coming in, a Bono collaboration titled "Air Suspension," also turns out a distinct disappointment; Dorn frames Bono's tossed-off vocal with little more than a few bland acid-techno riffs and a vocal tag lifted straight from a Timbaland record. The rest of the genres Aural & Hearty soundchecks — easy-tempo groove on "Tres Tres Chic," Brazilian samba on the scratchy cut "Velvet Black Sky," filtered disco on "Astroglide," beatbox techno on "Step" — are pleasant enough, but quite clichéd coming on the heels of Dorn's inventive mastery of dark drum'n'bass and trip-hop on his previous material. "Intothinair" is one of the bare few highlights, a stab at paranoid tech-house with a devastating analog bassline and shimmering synth (Dorn apparently loved the bassline effect, considering he used it in two other tracks on the album).