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Para Todos Ustedes


Download links and information about Para Todos Ustedes by Los Pleneros De La 21. This album was released in 2005 and it belongs to Salsa, Latin genres. It contains 13 tracks with total duration of 01:14:59 minutes.

Artist: Los Pleneros De La 21
Release date: 2005
Genre: Salsa, Latin
Tracks: 13
Duration: 01:14:59
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No. Title Length
1. Angelito (Little Angel) 5:00
2. Carmelina 3:46
3. Baila, Julia Loíza (Dance, Julia Loíza) 6:45
4. La Plena de Paquito Cerniera (The Plena of Paquito Cerniera) 5:52
5. Patria Borinqueña (Puerto Rican Homeland) 5:15
6. Echando un Pie (Shake a Leg) 6:31
7. Isla Nena (Little Girl Island) 6:56
8. Madame Calalú 3:43
9. Campo (Land) / Yo Cantaré Esta Bomba (I Will Sing This Bomba) 7:34
10. Chiviriquitón 3:29
11. Habla Cuembé (Speak Cuembé) 8:11
12. Carmelina 4:21
13. Semillero (Planter) 7:36



Para Todos Ustedes is a successful fusion of some traditional elements of Puerto Rican music with more contemporary influences. Specifically, it draws heavily from the bomba rhythmic and percussive style, and the call-and-response-oriented plena topical song form, though it also bears the marks of salsa and jazz. It's a lengthy (75 minutes) album, which gives the musicians a chance to offer considerable variety within their loose ensemble format, though a good-natured, upbeat mood is maintained throughout. The shifting percussive rhythms might be the most distinctive feature, while call-and-response vocals also take central position on songs like "Angelito (Little Angel)." Combined with the quick, roving, jazzy guitar patterns, this might sound to some ears like a somewhat Latinized version of some contemporary African music, though such similarities are attributable to both styles having evolved from similar sources. At times the jazz aspects come more to the fore, while the more traditional aspects are accented on an update of a bomba chant, "Campo (Land)/Yo Cantare Esta Boma, (I Shall Sing This Bomba)." There's a little bit of both English and Spanish rap in "Chiviriquiton," but that's the only such interjection in an album that's very much grounded in Puerto Rican styles.