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The Singles, Vol. 8: 1972-1973


Download links and information about The Singles, Vol. 8: 1972-1973 by James Brown. This album was released in 2009 and it belongs to Hip Hop/R&B, Soul, Rock, Funk genres. It contains 40 tracks with total duration of 02:22:41 minutes.

Artist: James Brown
Release date: 2009
Genre: Hip Hop/R&B, Soul, Rock, Funk
Tracks: 40
Duration: 02:22:41
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No. Title Length
1. Nothing Beats a Try But a Fail (Single Version) 3:15
2. Hot Pants Road 3:05
3. King Heroin (Single Version) 3:57
4. Theme from King Heroin (Single Version) 2:56
5. Pass the Peas (Single Version) (featuring The J. B. 'S) 3:26
6. There It Is, Pt. 1 3:06
7. There It Is, Pt. 2 2:47
8. Honky Tonk, Pt. 1 (featuring The James Brown Soul Train) 3:05
9. Honky Tonk, Pt. 2 (featuring The James Brown Soul Train) 3:29
10. Givin' Up Food for Funk, Pt. 1 (Single Version) (featuring The J. B. 'S) 3:07
11. Givin' Up Food for Funk, Pt. 2 (Single Version) (featuring The J. B. 'S) 2:51
12. Get On the Good Foot, Pt. 1 (Single Version) [Stereo] 3:35
13. Get On the Good Foot, Pt. 2 2:39
14. I Got a Bag of My Own (Single Version) 3:45
15. Public Enemy #1, Pt. 1 5:06
16. I Know It's True 4:06
17. I Got Ants In My Pants, Pt. 1 (Mono Version) 3:03
18. I Got Ants In My Pants, Pt. 15 & 16 (Mono Version) 4:01
19. I Got Ants In My Pants, Pt. 1 (Reverb Version) 3:02
20. I Got Ants In My Pants, Pt. 15 & 16 (Reverb Version) 4:00
21. What My Baby Needs Now Is a Little More Lovin' (Single Version) (featuring James Brown - Lyn Collins) 2:53
22. This Guy - This Girl's In Love (featuring James Brown - Lyn Collins) 3:45
23. Watermelon Man (featuring The J. B. 'S, Fred Wesley) 3:25
24. Down and Out In New York City (Frankie Crocker Introduction) 3:20
25. Mama's Dead (From "Black Caesar") 4:48
26. Sportin' Life (From "Black Caesar") 3:50
27. Dirty Harri (featuring The J. B. 'S, Fred Wesley) 3:11
28. The Boss 3:14
29. Like It Is, Like It Was 3:51
30. Doing It to Death (Single Edit) (featuring The J. B. 'S, Fred Wesley) 5:05
31. Everybody Got Soul (featuring The J. B. 'S, Fred Wesley) 5:36
32. Think (Version 1) 3:13
33. Something 3:35
34. Think (Version 2) 3:20
35. Woman, Pt. 1 3:31
36. Woman, Pt. 2 3:32
37. If You Don't Get It the First Time, Back Up and Try It Again, Party (Single Version) (featuring The J. B. 'S, Fred Wesley) 3:34
38. You Can Have Watergate Just Gimme Some Bucks and I'll Be Straight (featuring The J. B. 'S, Fred Wesley) 3:31
39. Sexy, Sexy, Sexy 3:08
40. Slaughter Theme 3:58



James Brown moved shop from Cincinnati to New York in 1971, switching from King Records to Polydor, trading the appellation Soul Brother Number One for the Godfather of Soul and shifting his music in the process. Vol. 8 of Hip-O Select’s ongoing chronicle of JB’s complete singles documents those first two years of his Polydor stint, the time when Polydor pushed for the crossover hit Brown craved while James leaned on arranger David Matthews, who steered JB toward an urban music that was swinging, sophisticated, occasionally melodramatic, and always accommodating toward Fred Wesley’s increasing jazz bent. In other words, James Brown ceded gritty funk to young upstarts like Funkadelic, following the path of ‘60s peers like Curtis Mayfield and Isaac Hayes into blaxploitation, staking ground on Black Caesar and even then leaving most of the work to Wesley, a pretty good indication of Brown’s level of concentration in 1972 and 1973. Despite this fresh start, JB’s attention wandered and many of the sessions in these years came out under the Fred Wesley & the JB’s billing — and several sides that did show up under Brown’s name were instrumentals, or were revived older tracks, as in the case of “I Got Ants in My Pants and Want to Dance.” Given the caliber of musicians in the JB’s, much of this is enjoyable, but there is a notable dip in quality and consistency, especially when compared to the hotbed of creativity of 1970-1972, when Brown was pushed by Bootsy and Catfish Collins, creating some of his hottest music ever. The JB’s of 1972-1973 did cut a few seminal singles — Wesley rightly calls “Get on the Good Foot” “one of the more perfect recordings we ever did” and there’s a cinematic appeal to “King Heroin” — but it’s telling that the real blockbuster of this time is “Doing It to Death,” credited to Fred Wesley & the JB’s, something that says quite a bit about James’ work in this era.