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Legends: Solo Guitar Performances


Download links and information about Legends: Solo Guitar Performances by Johnny Smith, George Van Eps. This album was released in 1994 and it belongs to Jazz genres. It contains 23 tracks with total duration of 01:01:52 minutes.

Artist: Johnny Smith, George Van Eps
Release date: 1994
Genre: Jazz
Tracks: 23
Duration: 01:01:52
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No. Title Length
1. I'm Old Fashioned 2:20
2. Macho's Lullaby 2:07
3. 'Round Midnight 2:46
4. Wally's Waltz 1:30
5. Black, Black, Black 2:28
6. Golden Earrings 3:02
7. Romance de los Pinos 1:33
8. NorteƱa 3:01
9. Maid With the Flaxen Hair 2:12
10. Waltz 2:33
11. The Old Castle 3:55
12. Sevilla 4:17
13. Cheek to Cheek 2:21
14. A Foggy Day 4:15
15. Tangerine 1:12
16. Sunny 2:19
17. Why Was I Born? 1:23
18. I Didn't Know What Time It Was 2:36
19. Tea for Two 5:22
20. The Man I Love 4:32
21. For You 1:42
22. I Hadn't Anyone Till You 2:04
23. I Could Write a Book 2:22



Despite the impression one could reasonably get from the cover of this reissue, these two guitar legends do not perform together, unfortunately. The next best thing are these solo sessions recorded almost 20 years apart. The first 12 items on the play list belong to Smith and capture his tasteful, clean sound coupled with complex chordal voices, which helped Smith in his adventures with playing classical compositions, including for the fabled Arturo Toscanini. Cuts that remind the listener of Smith's occasional classical foray include "Romance de los Pinos," "The Old Castle," and "Maid With the Flaxen Hair." But Smith was no slouch with constructing unique renditions of popular music. In 1952, teaming with Stan Getz, he made one of the best-selling jazz recordings of all times, "Moonlight in Vermont," which still sold well 50 years later. Van Eps was the master of the seven-string guitar, which allowed him to play his own basslines, well demonstrated on such cuts as "Tea for Two." The 11 pieces assigned to Van Eps reveal a predilection for highly rhythmic versions of well-known pop classics. Perhaps not as multi-faceted as Smith, he nonetheless had a fully developed style that approached the depth and complexity of Smith's. This can be heard on such cuts as "I Hadn't Anyone Till You" and "A Foggy Day." Besides which, he could and did swing. Although sideman on many a session, Van Eps left behind a relatively meager discography as a leader. These solo offerings are among his best. Although the styles of these two guitarists may go down different paths, their excellent technical skills, fully elevated imagination, and sensitivity to what they play clearly establish them among the elite of guitar players, true legends indeed. Recommended.