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Brokeback Mountain (Original Motion Picture Soundtrack) [Bonus Track]


Download links and information about Brokeback Mountain (Original Motion Picture Soundtrack) [Bonus Track]. This album was released in 2006 and it belongs to Theatre/Soundtrack genres. It contains 18 tracks with total duration of 46:01 minutes.

Release date: 2006
Genre: Theatre/Soundtrack
Tracks: 18
Duration: 46:01
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No. Title Length
1. Opening (Score to Brokeback Mountain) (Gustavo Santaolalla) 1:29
2. He Was a Friend of Mine (Willie Nelson) 4:37
3. Brokeback Mountain 1 (Score) (Gustavo Santaolalla) 2:30
4. A Love That Will Never Grow Old (Emmylou Harris) 3:19
5. King of the Road (Rufus Wainwright, Teddy Thompson) 2:50
6. Snow (Score to Brokeback Mountian) (Gustavo Santaolalla) 1:17
7. The Devil's Right Hand (Steve Earle) 2:32
8. No One's Gonna Love You Like Me (Mary McBride) 3:05
9. Brokeback Mountain 2 (Score) (Gustavo Santaolalla) 1:56
10. I Don't Want to Say Goodbye (Teddy Thompson) 3:09
11. I Will Never Let You Go (Jackie Greene) 1:53
12. Riding Horses (Score to Brokeback Mountain) (Gustavo Santaolalla) 1:22
13. An Angel Went Up In Flames (The Gas Band) 2:35
14. It's So Easy (Linda Ronstadt) 2:27
15. Brokeback Mountain 3 (Score) (Gustavo Santaolalla) 2:11
16. The Maker Makes (Brokeback Mountain/Soundtrack Version) (Rufus Wainwright) 3:47
17. The Wings (Score to Brokeback Mountain) (Gustavo Santaolalla) 1:52
18. No One's Gonna Love You Like Me (Gustavo Santaolalla) 3:10



Gustavo Santaolalla's music for Ang Lee's controversial, gay-themed western tragedy did considerably more than win the 2006 Academy Award for Best Original Score; "The Wings," the composer's spare, haunting guitar theme, quickly became part of the cultural zeitgeist. The balance of the score splits its time between Santaolalla's languorous Western pastoralism, old tunes sung by Steve Earle, Linda Ronstadt and Willie Nelson that capture the time and place even as they add emotional texture to the story (especially true of Nelson's tender cover of "He Was a Friend of MIne"), and a compelling slate of originals, highlighted by the composer's evocative collaborations with Emmylou Harris, Martina McBride and Teddy Thompson. It's a score that also stands as a landmark in the border-blurring diversity that has become a hallmark of film music in recent years (the composer also contributed compelling soundtracks for such Latin American film standouts as Amores Perros, 21 Grams and The Motorcycle Diaries).