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Broadcast and the Focus Group Investigate Witch Cults of the Radio Age


Download links and information about Broadcast and the Focus Group Investigate Witch Cults of the Radio Age by Broadcast, The Focus Group. This album was released in 2009 and it belongs to Electronica, Jazz, Rock, Alternative genres. It contains 23 tracks with total duration of 48:31 minutes.

Artist: Broadcast, The Focus Group
Release date: 2009
Genre: Electronica, Jazz, Rock, Alternative
Tracks: 23
Duration: 48:31
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No. Title Length
1. Intro / Magnetic Tales 0:38
2. The Be Colony 4:31
3. How Do You Get Along Sir? 1:10
4. Will You Read Me 1:20
5. Reception / Group Therapy 1:19
6. A Quiet Moment 0:58
7. "I See, So I See So" 2:08
8. You Must Wake 1:35
9. One Million Years Ago 2:16
10. A Seancing Song 2:19
11. Oh You Chatterbox 1:24
12. Drug Party 1:28
13. "Libra, the Mirror's Minor Self" 2:45
14. Love's Long Listen-In 1:47
15. We Are After All Here 2:32
16. A Medium's High 2:29
17. Ritual / Looking In 4:20
18. Make My Sleep His Song 2:41
19. Royal Chant 2:13
20. What I Saw 1:02
21. Let It Begin / Oh Joy 3:27
22. Round and Round and Round 1:39
23. The Be Colony / Dashing Home / What On Earth Took You? 2:30



Gracefully walking the line between experimental and catchy, the Birmingham, England-based electronica group Broadcast (formed in the mid-‘90s) is joined by the Focus Group, a.k.a. Julian House (co-founder of the Ghost Box label), on this impressive work. Witch Cults takes snippets of this and that — watery sounds and birdsong are recurring elements — to create individual tracks, and this collage-like album flows wonderfully. “The Be Colony” is a lush slice of dreamy psych that features the sweet vocals of Broadcast’s Trish Keenan. On “I See, So I See So,” she’s backed by tweaked, vaguely baroque keyboard and the sounds of the seashore. “Ritual/Looking In” blasts off with an entrancing jazz-rock groove festooned with flutes poking out riffs; later the beat goes away and the work of the great American composer Harry Partch comes to mind. “Royal Chant” beautifully weaves together spoken word, music box-type tinklings, harp plucks, dog barks, and hard-to-identify effects to create a sense of magic.