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How the West Was Won (Original Film Soundtrack)


Download links and information about How the West Was Won (Original Film Soundtrack) by Alfred Newman. This album was released in 1997 and it belongs to Theatre/Soundtrack genres. It contains 15 tracks with total duration of 36:04 minutes.

Artist: Alfred Newman
Release date: 1997
Genre: Theatre/Soundtrack
Tracks: 15
Duration: 36:04
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No. Title Length
1. Overture 4:24
2. How the West Was Won 1:36
3. Bereavement and Fulfillment 3:16
4. The River Pirates 1:43
5. Home in the Meadow (featuring Debbie Reynolds) 1:56
6. Cleve and Mule 1:57
7. Raise a Ruckus Tonight (featuring Debbie Reynolds) 1:40
8. The Marriage Proposal 1:45
9. Cheyenne 2:42
10. He's Linus' Boy 3:00
11. Climb a Higher Hill 3:42
12. What Was Your Name in the States? 1:48
13. Come Share My Life 2:17
14. No Goodbye 2:35
15. How the West Was Won (Finale) 1:43



This double CD has generally superior sound to the 1992 Sony Music release, but its more than two-hours of music may be a classic case of overkill. The essential problem is that How the West Was Won is rooted in two separate bodies of music, the Alfred Newman instrumental and orchestral material (including the rousing main title theme), spiced with a few traditional (i.e. folk) and traditional-style tunes; and the songs sung by Debbie Reynolds in her various set pieces as an entertainer, principally "Home in the Meadow" (adapted from "Greensleeves"). The Alfred Newman material generally recalls Aaron Copland's musical Americana (especially the "Lincoln Portrait") at its best and most accessible, and the folk songs handled by the choir or Dave Guard's Whiskeyhill Singers come off well — but then there are those numbers done by Reynolds, which sort of break the spell. It's not that she's a bad singer, it's just that her voice doesn't fit within the surrounding musical settings. One guesses the producers had no choice but to give full play to this part of the score, but one wishes there'd been a way around it. The annotation is very thorough, the photographs (including some behind-the-scenes shots of co-director John Ford) are a nice treat, and anyone who likes the movie or Newman's music is sure to enjoy this.